Golden Family

2025

vintage tambourine, gourd, brushes

2025

Vintage drum kits

Laser cut words on Folk drum

22” dia

Words by Samuel Fisher

2025

2025

Giclee on Hahnemuhle Baryta paper and type-set text on museum board (framed)

Framed dimensions: each 46 cm x 48 cm

A series of archived historical photographs depicting high jumpers. Caught in time holding a shape against a sky backdrop they are named in accordance with their visual or narrative resemblance to one of the constellations.

laser cut corten steel

2019

Giclee on Hahnemuhle Baryta paper and type-set text on museum board (framed)

Framed dimensions: each 35 cm x 37 cm

This series of archived historical photographs depicting humans and horses whereby, in varying degrees, both appear to morph into a single being and are named in accordance with their visual or narrative similarities to a specific Centaur in Greek mythology.

(with photographer Yusaku Aoki)

2018

C-type on velvet paper mounted on luthier guitar boards (various woods)

How To Break A Horse utilises a previously unworn Alexander McQueen pony-skin jacket gifted to the artists in exchange for use of their studios. Matt, photographed by Yusaku Aoki, is shown ‘breaking-in' the animal by wearing its hide through the streets of Dalston where the artists have their studio.

2018

Found bricks

490 cm x 130 cm

Simon and Garfunkel’s song Bridge Over Troubled Waters was a defining moment in both the rise and fall of their musical collaboration. Written by Paul Simon but given to Art Garfunkel to perform solo, it quickly became their most successful hit and is one of the all-time best-selling songs. But as tensions began to develop between the two artists the sight of Garfunkel performing the song solo to great acclaim became too much for Simon to bear and the divide between them became irreconcilable.

oil on linen

(with photographer Bruno Baptista)

2018

Giclee on Baryta paper mounted on board

(with photographer Bruno Baptista)

2018

Giclee on Fine Art paper

Figure 4, BALTIC 39, Newcastle 2017

cast concrete, 2016

C-type print on velvet paper, Cherry frame, 2011

(completed 2016)
(20 magazine pages)

The chronicles of fictional musician Juan Carlode, serialised in Wonderland and Rollacoaster magazines, published quarterly from 2010 - 2016. The images have been torn from their magazines and pinned to the wall.

“Created and portrayed by British artist Matt Golden and accompanied by fellow artist Natsue Ikeda and their daughter, Nanaho), Juan Carlode’s search for new cultural, transcendental and human experiences spins fact into fiction as he repeatedly immerses himself in unfamiliar territory.....including the drug-induced spiritual ‘healing’ of an old and sick lady in rural Malaysia; journeying with Native American and First Nation tribes along the Fraser and Nicola rivers in British Columbia; walking the path from which the Haiku poet Issa drew inspiration." - UNESCO Observatory Multi-Disciplinery Journal in the Arts. Vol 5.

Gum bichromate print on paper / laser cut text

Documentary photographic images of a number of collaborators / characters from Juan Carlode’s travels are rendered in oil paint by the artists once back in their studio, continuing their action of role-playing.

In 1993 Matt turned down a record deal to take a place at art school. Years later in Germany, over a two-week period, he converted a gallery into a temporary music venue (‘The New Bomonti Club’, Bremen, 2008) where, from the assembled stage, he performed songs under the guise of nomadic musician, Juan Carlode. In wandering between representations of reality and story-telling, real-life and character, he created a complex collision of worlds both authentic and acted, part performance and part real, to invoke an ontologically uncertain realm.

Lambda Print on Fibre paper

Image printed from found contact sheet with typed text, 2015

Found picture frames

2009-ongoing

2008

Found photograph, removed from its frame and turned through 180 degrees.